Archive for October 8th, 2007

Gender Role Reversal in Theatre, ugh

October 8, 2007

shakespear in loveI’ve recently been taking more of an interest in the world of theatre beyond the scope of my acting. This has included an attempt at writing a play and being part of another show in which puppets will be used to portray the characters. It should be a humbling experience to not be the object of attention, but to control the object of attention instead, to some how use the puppet as an extension of my performance. This is all well and good because the nude scene that is required will be less embarrassing for me and more so for the puppet. The fact that I’m in Los Angeles doing this and not New York City is probably a mistake, but it’s keeping my skills sharp. Which is what a lot of actors here in LA need to do, and while I don’t think scene work is bad, it’s a lot better for an actor to bite into a role that they can fully develop. There are dozens upon dozens of local 99-seat theatres in LA working with actors that just want to be noticed and there are a bevy of artistic directors that want to be taken seriously. In a city where film and television is the medium of choice it makes it that much more difficult to get recognized.

Taking all of these detractors into account theatres will try anything to get attention. One of the things I hate the most in this scurry for minor fame is the ease and lack of creativity it takes to mount a production in which all of the male characters…will be played by female characters. (more…)

“The Darjeeling Limited”, Wes’ newest

October 8, 2007

darjeeling limited

I loved Wes Anderson’s Life Aquatic With Steve Zissou. It was an adventure that a kid might have imagined. What kid doesn’t imagine finding a rare shark at the bottom of the ocean. It was a dream that reminded me of the children’s book Where the Wild Things Are. It’s too bad Spike Jonze is directing it, because Anderson would be the perfect fit. The dry absurdity he bring to his movies sits well with my own personality. And that sharp humor is put to good use in The Darjeeling Limited, a story about two brothers coerced together by their eldest third to reconnect as family and spiritually on a trip through India. The brothers are played respectively and wonderfully by Owen Wilson, as the eldest who after a near death experience brings them together. The middle child by Adrien Brody, who seems to be most affected by the emotional trauma that split them apart. And the youngest by Jason Schwartzman, a novelist who’s too afraid to admit that his books are based on real events. It’s good that Anderson writes movies about wealthy people, because they can go anywhere they wish at any time they wish allowing for a far more expansive journey. Here though the money isn’t the cause of their inner turmoils.

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