That's some strong medicine.
Joon-ho Bong, the Korean writer and director, likes to write about inadequate people finding themselves in situations they aren’t exactly clever enough to figure out, which makes the journey for the audience that much more enjoyable and that much more tragic in the end, because we might be able to see a way out they cannot.
In his film Memories of Murder, we follow a group of incompetent back water Detectives as they try to find a rapist-serial killer before the next victim is taken down. In The Host a family of dunces bands together to save the youngest daughter from a bio-chemically created monster. In both instances (both great movies, by the way) Joon-ho tells his stories with a healthy dose of biting satire, ever growing dread and a cinematic eye rarely found in America. With his newest thriller Mother, Joon-ho continues his steady climb as one of the best International directors by following the same guidlines.